Do I violate the utilitarian standard by loving my children?

Utilitarianism starts with a basic premise: every person on earth desires happiness.1 Since happiness/pleasure/well-being (I will use these all interchangeably) are universally desired for their own sakes (not desired as means to some other end, but desired for themselves), they must be intrinsically good, i.e. good for their own sakes, as opposed to instrumentally good.2 If we wish to live an ethical life then, we must aim our actions toward achieving that which is intrinsically good: happiness. This does not mean happiness for ourselves only, but also (more importantly) happiness for others. In fact, it is our moral duty to maximize well-being to the greatest extent possible. If we boil utilitarianism down to its simplest message, it might read: do as much good in the world as is humanly possible.3

Utilitarianism requires us all to look outward, and judge our actions based on how they impact the community of persons affected by our decisions. But often there is a conflict between what the individual desires and what would most benefit the community. In this case utilitarianism issues a direct challenge to the individual: if you desire an end that does not maximize general happiness, you are required to abandon your desire. This turns out to be a very strict standard indeed, one that may require us to make tremendous personal sacrifices for the good of others.

If utilitarianism is supposed to be our guide for living ethical lives, we must recognize right off the bat that most of the decisions we make throughout the day do not maximize general happiness. After all, by taking the time to write this essay, I am choosing not to use that time to serve food to the homeless. Does that mean it is unethical to write this essay, because by doing so I fail to maximize utility? Must I strive to meet the utilitarian standard in all my daily actions? This forceful version of utilitarianism seems to demand that we all become saints, constantly subverting our own desires for the benefit of others. If so, then is utilitarianism even feasible as an ethical theory? If the moral requirement is so strict that normal people are incapable of meeting the challenge, is the theory practical at all?

We all have busy lives full of persons and obligations which require our full attention. Our children, our parents, our spouses, our bosses, and our friends all (rightfully) make demands on our time, leaving us very little bandwidth with which to decipher what “the general happiness” means, let alone time and energy to maximize it. For many parents with young children and full-time jobs, it can feel impossible to do anything for the community while trying to juggle such a home life. Faced with such a complex and intractable dilemma, many people ignore completely the needs of the community, and focus instead on the daily demands of life.

We could attempt to justify such a lifestyle choice (from a utilitarian standpoint) by defining a busy parent’s ‘moral community’ in a narrow way: it includes only her family and friends and colleagues; everyone outside that circle is excluded from the community and therefore excluded from the utilitarian calculus. Does a person with such a narrow moral community live an ethical life? Is it ok to define one’s community so that it only includes those persons one is actually capable of serving while still living a “normal” life? Or must a person restructure her entire life in order to expand that moral community, i.e. tailor her whole existence around service to the wider world, even at the expense of her own family’s happiness?

Really I’m asking: whose happiness should we care most about? Jeremy Bentham answers: “the greatest happiness of all those whose interest is in question [is] the right and proper, and only right and proper and universally desirable, end of human action.”4 This is famously known as the Greatest Happiness Principle. J.S. Mill, a few years after Bentham, demands (in a statement which contradicts many other statements in Utilitarianism) that our moral standard be “not the agent’s own greatest happiness, but the greatest amount of happiness altogether.”5 Seems clear enough. But for the mother of young children, who has professional, familial, and domestic obligations coming out of her ears, this standard can easily comes off as impractical, useless, even meaningless.

Imagine there are three concentric circles:

The smallest circle contains only your family and closest loved one. The next circle contains all your friends, acquaintances, colleagues, and neighbors, your community, your network. The final circle includes larger populations of strangers, such as your city or perhaps even your whole country. Which of these circles are we to focus on, if we wish to live according to the utilitarian standard? If we dedicate our energies toward creating happiness for one of the circles, we use up time and energy that cannot be spent spreading happiness to the other circles, so a choice must be made. But which is the most ethical option?

If I dedicate myself fully to building the best possible life for my children, wife, and parents (my smallest circle), I will certainly do a lot of good; but such a choice requires that I neglect, to a large extent, the wider world. An afternoon spent playing with my children is an afternoon not spent working at the local food bank; a weekend trip to Arizona with my father requires money that can not be donated to a more worthy cause. Do I truly meet the utilitarian standard if I pour most of my love, care, energy, wealth, and spare time into my family, but largely ignore the happiness of the wider world? Though the happiness within my home will be maximized, and my children more likely to grow up well-adjusted and emotionally stable (compared to children who are neglected), my dedication to the ‘greatest happiness principle’ is questionable at best.

If instead I dedicate my life to spreading well-being to the largest possible number of persons (the outer circles), I might accomplish truly great things!… but at a cost. Those who make such a choice – tireless activists for the poor, traveling community organizers, dedicated and focused union leaders, political dissidents – often make huge sacrifices in the personal sphere in order to fulfill the utilitarian ethic, an ethic which they believe requires them to serve the wider world. Yes my children will be sad if I don’t return at night to tuck them in because I’m working late at the homeless shelter, but so many others will benefit from my actions. If I’m away repeatedly, over the course of many years, my children may develop neuroses and abandonment issues and anger, may grow to hate me, may even have tragic lives. But over those years I could improve the lives of thousands of people. Is this the ethically correct sacrifice: spread joy to the greatest number, at the expense of a few (who happen to be my children)?

Mahatma Gandhi faced this very question, and he chose to serve the widest circle. He was a famously neglectful father, but a saint to a nation.6 Gandhi’s work for the poor, disenfranchised, impoverished, victimized, and low-caste was the ultimate display of utilitarian action.7 He dedicated his entire life to helping the less fortunate; this included extensive travel, the founding of communes, organization of large-scale protests, hunger strikes, the construction of a political party, travel to foreign nations to negotiate with world leaders, and many other activities which demanded his full concentration and energies. In the end his sacrifices and selfless actions improved the lives of millions of people around the world,8 and his legacy continues to inspire people today. However his children felt acutely the sadness and anger that come from having an absent father. His oldest son Harilal, whose relationship with Gandhi was always strained, never forgave his father for the ill-treatment, and later became an alcoholic. It seems there is no way to dedicate our full selves to the service of our closest loved ones AND to the wider world; there will always be a sacrifice one way or the other, and so we must choose.

On the surface the ‘greatest happiness principle’ appears to teach us that the price of a few very sad and neglected children is a reasonable price to pay, if their sadness purchases happiness for thousands of others. But this feels intuitively wrong. How can I be expected to ignore the unfathomably deep love bond I share with my two children? To put it more generally, how can I be expected to care more for strangers than I do for my loved ones? The utilitarian principle seems to insist that if my mission in life is to maximize happiness, it would be absurdly unethical to give special weight to the happiness of two children over the happiness of the larger population. Mill is very clear that one must be “as strictly impartial as a disinterested and benevolent spectator” when it comes to moral questions.9 A truly disinterested spectator would never choose the well-being of her own child over the well-being of many children. But I am tempted to reply (from the gut) that if it is unethical to dedicate my time and service almost exclusively to my children at the expense of thousands of others, then I am content to live an unethical life. Is this my own selfishness at work? Is it nothing more than a self-serving desire to relish the innate, mammalian love bond I feel for my offspring? No there is more to it than that. I genuinely struggle to see the merit in a moral system that tells me it is unethical to love my children (I say love because real love requires time and dedication). I’m ready to state boldly (and obviously) that of course it is ethical to love our children! So how do we reconcile this with the greatest happiness principle?

To begin to answer this question, let’s hit this from another angle: if we universalized the duty to serve the widest circle at the expense of the inner circle, would that actually create a happier world? Imagine if humanity widely practiced such a morality. Many millions of children would wind up neglected and traumatized by parents who felt obligated to serve the world instead of care for their children. Whole generations of young people would carry around the anger, bitterness, resentment, and sense of abandonment that ill-treated children often carry. If this tipped the scales away from general happiness and toward general sadness, if this ended up creating a worse world, we will have failed in our utilitarian mission, even if we intended our actions to create a happier world (this assumes we judge the merit of actions based on actual results as opposed to intended results, which is a debatable question in utilitarian ethics). It seems good for the species if we instead give extra weight to the happiness of our children, and bad for the species to create a generation of persons who have never been taught how to love or how to build lasting relationships. A world of neglected children is a sadder and angrier world. So how can this possibly be the utilitarian standard, if the enactment of such a principle would bring more pain than happiness?

Clearly the greatest happiness principle must mean something besides “always serve the greatest number“. Either that, or the principle itself is false according to its own utilitarian standard, since its enactment would make the world worse-off. It is deliciously ironic that the Greatest Happiness Principle would, if enacted, fail to maximize happiness. It also goes without saying that such a principle would also be completely impractical in the real world, since most parents feel morally and evolutionarily driven to help their offspring flourish. A utilitarian could make a compelling argument that we more fully satisfy the utilitarian standard (we create a happier world) by spending lots of time serving the smallest of circles: our tiny, helpless babies. As Utilitarianism.com says: “As there are obviously good utilitarian reasons to want the next generation of people to grow up to be emotionally healthy and capable agents, there are thus good utilitarian reasons to endorse the social norms of parental care that help to promote this goal.”10

That all being said, there must be some part of the utilitarian standard which does indeed require us to serve people outside our inner circle. We showed above that if we universalized the duty to serve exclusively the outer circle, it would, in the end, likely fail the utilitarian standard, since it would create a worse-off world. Well the same is true if we universalize the duty to serve exclusively our inner circle. Such a principle would require us to maximize happiness for our loved ones and acquaintances, while allowing (or encouraging) us to feel complete indifference or even hatred for strangers, foreigners, the poor, and members of political parties which oppose our own. If we have no moral obligations whatsoever to persons outside our narrow inner circle of acquaintances, we adopt for ourselves an isolationist moral philosophy: my duty of care extends to my own property line, and no further. This state of affairs, which weakens community bonds and encourages a myopic and lonely outlook toward the wider world, sounds tragically like the actual world in which we live.

Clearly utilitarianism, if it is to be useful in this big, scary world, requires a bit of nuance in its application. Mill strives to make utilitarianism a workable and useful theory for every day morality, so he sometimes downplays our individual commitment to the greater good, and tells us we are free to follow our hearts most of the time. This allows us a lot of leeway, but reduces the utilitarian standard to something vague and amorphous, an ethical principle that refuses to state clearly what it requires of us. Are we allowed to substitute the greatest happiness principle for the “create whatever local happiness you feel like creating” principle?

The reality is that real humans do love their children and wish to serve the wider world. Perhaps the answer then is simple: try for a balance. We should give as much love as possible to our inner circles, and occasionally (if we can spare the time) do some work for the outer circle. This seems like a practical solution, but as a moral theory it is weak tea: you’ve got a bunch of love to give, so spread it around in whatever direction feels right. There is some power in the aphorism, “as long as you are loving somebody, you are doing the right thing,” but is this really what utilitarianism is supposed to boil down to?

This idea that at times it is morally right to serve our families, while at other times it is morally right to serve the community, delivers us to the conclusion that utilitarianism cannot be the sole guiding moral law in our lives. Since we are expected to know when it is appropriate to switch between one or the other circle, there must be a principle that we can follow to guide us to the ethically correct decision, a principle which will tell us when to serve our families and when to serve others. Importantly, this principle cannot be utilitarianism itself, because serving any of the circles seems to meet the utilitarian standard in one way or another. A pluralism of ethical theories will be needed to navigate this unending dilemma.

So it seems utilitarianism (at least as Mill and Bentham understood it) cannot properly serve as an end-all, be-all moral system; more lenses are needed if we wish to fully see and appreciate all the complexities of real life. In the meantime, I will love my children, work hard at my job, show love to my wife, and generally work to maximize happiness within my smallest circle of loved ones. Perhaps I sacrifice the Greatest Happiness Principle in order to adopt for my family an “Ethic of Care,” and maybe this is right, even if it means failing to maximize the happiness of the community (failing even to come close to that goal). The necessity, the urgency, the implacability of the love I feel for my children is something utilitarianism simply can’t resolve, unless it abandons (or severely limits) the Greatest Happiness Principle. If it refuses to abandon the principle, it is revealed to be fraudulent as an ethical theory. If it does abandon the principle, what is left of the moral theory besides: “do as much good as you feel like?”

Related article:

Is J.S. Mill’s utilitarianism really “ethics” at all?

Notes

  1. Whenever I quote from Mill’s Utilitarianism (1863), I will cite the chapter/paragraph in the following format: Mill, Utilitarianism, II/2: “The creed which accepts as the foundation of morals, Utility, or the Greatest Happiness Principle, holds that actions are right in proportion as they tend to promote happiness, wrong as they tend to produce the reverse of happiness. By happiness is intended pleasure, and the absence of pain; by unhappiness, pain, and the privation of pleasure. To give a clear view of the moral standard set up by the theory, much more requires to be said; in particular, what things it includes in the ideas of pain and pleasure; and to what extent this is left an open question. But these supplementary explanations do not affect the theory of life on which this theory of morality is grounded- namely, that pleasure, and freedom from pain, are the only things desirable as ends; and that all desirable things (which are as numerous in the utilitarian as in any other scheme) are desirable either for the pleasure inherent in themselves, or as means to the promotion of pleasure and the prevention of pain.” ↩︎
  2. In Mill, Utilitarianism, IV/8, the intrinsic goodness of happiness is a key feature of Mill’s famous ‘proof’ that utilitarianism is right: “…there is in reality nothing desired except happiness. Whatever is desired otherwise than as a means to some end beyond itself, and ultimately to happiness, is desired as itself a part of happiness, and is not desired for itself until it has become so. Those who desire virtue for its own sake, desire it either because the consciousness of it is a pleasure, or because the consciousness of being without it is a pain, or for both reasons united; as in truth the pleasure and pain seldom exist separately, but almost always together, the same person feeling pleasure in the degree of virtue attained, and pain in not having attained more. If one of these gave him no pleasure, and the other no pain, he would not love or desire virtue, or would desire it only for the other benefits which it might produce to himself or to persons whom he cared for. We have now, then, an answer to the question, of what sort of proof the principle of utility is susceptible. If the opinion which I have now stated is psychologically true- if human nature is so constituted as to desire nothing which is not either a part of happiness or a means of happiness, we can have no other proof, and we require no other, that these are the only things desirable. If so, happiness is the sole end of human action, and the promotion of it the test by which to judge of all human conduct; from whence it necessarily follows that it must be the criterion of morality, since a part is included in the whole.” ↩︎
  3. Russ Shafer-Landau, The Fundamentals of Ethics, 4th ed. (New York: Oxford University Press, 2018), 120. ↩︎
  4. Jeremy Bentham, An Introduction to the Principles of Morals and Legislation (New York: Hafner Press, [1789] 1948), 1. ↩︎
  5. Mill, Utilitarianism, II/11 ↩︎
  6. See Ramachandra Guha’s Gandhi Before India (New York: Vintage Books, 2013) for a heart-breaking look at Gandhi the absentee (yet often still over-bearing) father. ↩︎
  7. Gandhi was actually quite critical of utilitarianism the political philosophy. He saw the ‘greatest happiness principle’ as justification for majority rule and the exploitation of minorities (happiness and economic prosperity are generated for the majority, at the cost of poverty, disenfranchisement, and unceasing labor for the minority). Instead of the greatest happiness of the great number, Gandhi preferred the greatest happiness of all, a concept which he called Sarvodaya, a Sanskrit term meaning “Advancement of All”. Despite this critique of political utilitarianism, Gandhi’s personal actions typified the utilitarian ethic, which requires immense personal sacrifice as a means to generate as much happiness for others as possible. For an example of Gandhi’s critique of utilitarianism, see his article in Indian Opinion dated May 16, 1908, which appears in The Collected Works of Mahatma Gandhi (New Delhi: Publications Division Government of India, 1999), Vol. 8, 316-319. ↩︎
  8. This is a debatable point. However the debatability of this point might not have bothered Gandhi. The philosophical text which most excited Gandhi was Bhagavad Gita which instructs us to focus more on intentions than outcomes. Like utilitarians, we should aim to do as much good as possible in the world, but we should not allow ourselves to become emotionally invested in outcomes outside our control. God may not allow our plans to come to fruition, and we may even be forced to endure tragedy and heart-break and loss; but we must continue to strive for a better world no matter how many times we fail. This is the key to living an ethical life and flourishing personally. This message was very important to Gandhi, who encountered many failures and set-backs and unintended consequences during his long career. For example, despite Gandhi’s best intentions, his actions as an anti-colonial activist were an indirect cause of the horrible sectarian violence that erupted after the partitioning of India in 1947. So though Gandhi made tremendous sacrifices to improve the lives of his people, the actual short-term outcome for much of the Indian people was a mixed bag. There is a lesson here for utilitarians: though a person may sacrifice much in order to maximize happiness for the many, there is no guarantee that she will be successful at maximizing happiness. If we judge a person’s actions solely according to the actual outcomes they produce, we are forced to condemn a person who sacrifices everything in order to spread happiness to the masses but ultimately fails to increase the general happiness. This would mean that Gandhi was not acting ethically any time that his actions inadvertently led to more pain than happiness (any time he failed to maximize utility). But this feels intuitively incorrect, given the sacrifices Gandhi made in the service of so many persons, and given the limited knowledge all humans have about how our decisions will affect the future. The Gita teaches that if you have an honest intention to do good in the world, you work selflessly toward your goal, and you fail, you are still living ethically. Later utilitarian thinkers have distinguished between the actual utility of a certain action (the actual outcome), versus the expected utility of that action (the outcome we expect), which allows utilitarianism to shrug off some of its consequentialist tendencies: if we judge actions based on their expected utility rather than actual utility, we really shift from focusing on outcomes and instead focus on intentions. This brand of utilitarianism teaches: “as long as we truly intend our actions to maximize the happiness of others, our actions are ethical even if we ultimately fail in our goal”. Gandhi would not have called this concept ‘utilitarianism’, but would have instead called it the message of The Gita. Regardless of what he called it, this ethic formed the foundation of Gandhi’s philosophy of action. See: Uma Majmudar’s “Mahatma Gandhi and the Bhagavad Gita” on The American Vendantist website, published Dec. 6, 2014. If you want to explore the philosophy of The Gita further, read this essay. ↩︎
  9. Mill, Utilitarianism, II/21. ↩︎
  10. R.Y. Chappell and D. Meissner, “The Special Obligations Objection,” in R.Y. Chappell, D. Meissner, and W. MacAskill, eds., Introduction to Utilitarianism, <https://www.utilitarianism.net/objections-to-utilitarianism/special-obligations>. ↩︎

Everything in your life should be active except your ego: tips from The Bhagavad Gita

How can I live my best life? What are some strategies that will help me reach for fulfillment in life? Here are some of the lessons I picked up from reading one of the world’s oldest self help books: The Bhagavad Gita.

Strive to do your best in all things you attempt, but do not attach yourself emotionally to the consequences of the actions you take. In other words, you can control an arrow only up to the point you release it from the bow. From there, it is beyond your control what happens to it. So put all your focus into aiming true. Release that arrow as perfectly as you can, but once it’s been released do not be attached to what happens next, because it is out of your hands. Feel free to observe how it lands and adjust your next shot accordingly, but do not become emotionally invested in the results. You goal is to improve, and therefore you must practice and hone your craft. But see if you can do this without letting your ego get involved in the process. As you prepare to release that next arrow, remember that your self-worth does not hang in the balance.

This is useful in so many ways. In the business world, you should try your best to be a productive part of your team or organization. However once you’ve finished that business presentation and sent it out, you no longer have control over what happens to it. It may be judged harshly, it may be ignored, or perhaps unforeseen forces outside of your control will cause your presentation to fail. These things can and do happen; when they do happen, gather whatever data helps you grow from the experience, and move forward. Likewise, in a family you should be a generous and caring participant in your loved ones’ lives: do your very best to guide them and love them, and teach them important life lessons, and give gifts, and give them your time, and make as many things special for them as you can. But once you’ve done all that you can’t control how they will respond, or the people they will ultimately become. Do not invest yourself emotionally in the result, but do your best and focus on continuing to improve your own performance.

This may seem like an impossible or even a distasteful goal (“Why on earth would I want to become emotionally detached from the outcomes of my parenting?!?”). Remember: this sort of “detachment” does NOT mean withdrawing from the world, nor does it mean acting in a callous, distant, aggressive, loveless, or harsh manner, or refusing to care about the consequences of your actions. Be active, be a participant, show love, give gifts, build something, engage! Just don’t let your pride (or even worse your sense of self worth) hinge on the results, on the consequences, because the consequences are beyond your control! Be your best self and you WILL make a better world, but understand that there are so many things you simply cannot control. If you try your very best, and learn from your mistakes, and make active improvements in yourself and how you treat others, you’ve done all you can do. You must then be at peace with whatever outcomes may come (while still learning from them, so that you can continue to grow and improve).

While it is wise to be at peace with outcomes, this does not mean that one should live a “passive” life, where we simply let the waves of life crash over us while we feel neither joy nor sadness, while we sit motionless and inactive, detaching ourselves from all warmth and love and connection, seeking some inner knowledge while the world passes us by. In fact, a good life is a life of action! There are countless paths that lead to enlightenment and fulfillment, but most require some form of action. One can seek deep knowledge in her field or expertise in her craft, or focus on taking selfless action for the benefit of others to build a better and more peaceful world (Gandhi followed this path, among others), or one can dive into meditation and self reflection, or build a life that is centered on love and family and empathy. A person can venture down all of these paths at once if she likes, but note that all of these paths require action! Don’t hide in a cave like a hermit, and don’t renounce all earthly joys like an ascetic, and don’t shut out the world or detach from loving other human beings. Go be active in the world and do good work, love people, build connections, get out there and do something. The message here is this: yes live a life of action, while also working to become emotionally detached from outcomes beyond your control. Another way to say it is this: everything in your life should be active, except your ego.

This is easy to talk about but very difficult to put into practice every day. Even as I write this, I picture in the back of my head a day far in the future, when my (adult) sons discover that their father created music and wrote articles about interesting ideas, and how proud they will be, how they will think I was so cool, how they will then be inspired to expand their own minds, etc. etc.! You see? It is my pride and desire and need for affirmation that drives this fantasy, and it’s a clear example of my emotional investment in other people’s future opinions of my life’s work, an example of my ego at work, an example of how much I really do invest my self worth in the outcomes that I cannot control.

Instead, I should write this just because I feel compelled to write it, because it brings me joy, because writing this is me playing my part in the greater whole of humanity; I should not write it just to get future praise and admiration from my sons. Even as I write about detachment from these sorts of desires, I am so very very attached.

This is really about suspending one’s ego, and resisting the urge to expect a quid pro quo in all things. I should not parent well BECAUSE I expect future praise from my children. I should not strive to be a good teacher BECAUSE I hope students will tell everyone what a great teacher I am. I should not write beautiful music BECAUSE I need everyone to know what a gifted musician I am. I should do these things well because it is right to do them to the best of my ability. That is how I play my part, how I contribute to the great human story. I parent, I teach, I write music, and I strive to do those things well, because that is what brings me joy. But once I complete a task, I must detach myself from the consequences. As long as I am doing everything to the best of my ability, and learning from my mistakes, then I have played my part well.

This is also about not caring what people think of you. As long as you are doing your best in everything you attempt, and living virtuously by trying to do good (because emotionally detaching oneself from consequences is not a free pass to be a jerk to everyone), then you can ignore other peoples’ opinions about you. Again, I don’t teach well because I need the other teachers to think I’m great. If I teach well, a likely byproduct will be that other teachers respect me, but that is not guaranteed, and also that is not the purpose of teaching. If I indeed teach well, then I really don’t need to care what the other teachers think, because I genuinely give it my all and do my best to bring quality to my classroom. Beyond that, I actually have no control. All I can do is my best. I need to be at peace with whatever comes after that.

Of course if another teacher or a student offers me constructive criticism, I should not ignore it (“Sorry I don’t listen to feedback because I am so detached from the outcomes of my actions”). Quite the opposite: I should listen and use it as a growth opportunity, a way to improve. But I should not let my self worth crumble because somebody saw things in a different way than I did, or because I made an error and didn’t realize it until a peer pointed it out. Take the feedback and grow, but don’t obsess over the mistake itself (which is in the past); instead focus on doing better next time, and remove the ego or the stung pride from the equation. Nobody lives a mistake-free life, and nobody can ever please everyone all of the time.

Even more importantly: if life ever throws you a real curve ball, and places you in a lose-lose situation, a situation completely out of your control, a situation that tests you and puts you under pressure, these same lessons apply triple fold. Pull back your arrow, aim it as best you can, and fire. Then, pull another. In other words, do your best. And once you’ve done your best, don’t rake yourself over the coals because your best didn’t match up to some unreachable standard. Sometimes you might get battered by the waves, and face challenges far beyond your control. Sometimes no matter which path you choose you will wind up paying a high cost.

A typical example: an elderly parent suffers a debilitating long-term illness that requires many hours of your care and attention every day for many months, but at the same time your new position at work requires extra time for meetings, managing teams, due diligence on new topics, and long-term planning. Meanwhile you have two young children who need your love and attention, and a house that is in need of some repairs. If you sacrifice time with your parent in favor of work, you neglect someone who needs you, someone who is suffering a profound personal crisis, someone who cared for you when you were so small and weak, who loves you dearly, who wants nothing more than to spend as many precious few moments with you as possible. But if you neglect work, you will lose your chance to build your team, squander the opportunity to build on what you’ve already worked so hard to achieve, maybe even lose your position. Not to mention that this schedule leaves no time whatsoever for self care. In these moments it’s so crucial to be kind to yourself: emotionally detach from outcomes beyond your control and just do your best. When life gets real there are so very few things that you actually can control. Focus on doing whatever you must do to survive, to get by. Keep paddling, keep shoveling, keep trying. As long as you do as much good as possible with the limited resources you have at your disposal, you are free to accept the outcomes without self-judgement, even if they are not optimal.

This focus on intentions rather than consequences aligns well with philosopher Immanuel Kant's deontological approach to ethics, which emphasizes the importance of acting ethically and following the rules of morality at all costs, consequences be damned. In other words, pay no heed to outcomes, and instead be sure to obey your moral compass (or your moral duties) regardless of the context of the situation. Personally I find Kant's expression of this ethical principle too forceful and one-sided, since it seems to completely discount the idea that ethical action can ever properly be defined by the consequences of one's actions. Consequences do matter in the real world; in fact they matter very much, and they must be taken into account when determining which course of action is most ethical (or which ethical duty we must follow). 

The Gita's expression of this principle is more subtle than Kant's, perhaps because its focus is less on finding the optimal moral behavior, and more on achieving fulfillment in life. In essence, one should strive to become emotionally detached from consequences not because this is the key to the most moral possible behavior, but because this behavior will allow a person to live a happier and less-burdened life. Simultaneously, the person should also try to do as much good as possible. Perhaps then the person could combine the message of The Gita with that of Kant. Or maybe she prefers to combine The Gita with a moral system that aims to maximize a particular outcome, such as happiness (this is called utilitarianism). Either way might work just fine for her purposes: live a happy life and do good. If it is possible to follow a strong moral code, while disallowing one's sense of self-worth to hinge on the uncontrollable outcomes of one's actions, we may just hit on the ultimate combination of fulfillment and moral action. See Kant's Groundwork of the Metaphysics of Morals for Kant's take.

Another facet of The Gita‘s message about personal fulfillment is the argument that freedom comes from discipline. By discipline I do not mean disciplining others, but instead “self discipline”. For example, if you want to become so talented at playing a musical instrument that you can improvise with complete freedom, perform music that leaves listeners breathless and fills their hearts with emotion, experience a sense of total control over your craft, and create timeless art with your own hands, the only way to achieve this is through years of disciplined practice. Without self discipline, one will not sit still long enough to learn anything, and will not practice when practicing becomes hard. Whether learning a craft, parenting, reflecting on one’s own actions, building a professional skill set, or building a love-based relationship with someone, discipline leads to focus and improvement and growth and a better life.

We are sometimes taught (especially in the USA) that freedom is the opposite of discipline. If only we had no rules to follow, then we would be truly free! One can easily imagine a Libertarian fantasy where we all enjoy perfect freedom, total liberty to live exactly how we please, and everyone lives a fulfilled life. This premise that real freedom comes from a lack of discipline is most likely wrong (dare I say utopian) when applied to society as a whole (after all, wouldn’t the local warlord with the most guns and money simply take advantage of this lack of structure and seize power?), but it is especially wrong when applied to self-discipline. Without some kind of self-discipline in place, freedom can never be achieved. One could even go so far as to claim that a total lack of discipline leads to slavery, because a person with no hard-won skills or knowledge will be at the utter mercy of those with skills and know-how.

It is worth noting that this particular take ignores the materialist notion that what truly makes people into slaves or pawns or oppressed peons is not lack of inner discipline, but instead the material forces one faces from birth (i.e. one's class). Those in poverty do not have the time or resources or capital to focus on self-cultivation and skill-building, while those in higher classes do, and that is what determines whether someone will end up a leader/owner/master or a peon/proletarian/slave. It has almost nothing to do with one's own work ethic, since hard work and self-discipline will only get you so far when one starts out in poverty (i.e. if work ethic mattered more than one's original class position, there would be a lot more millionaire fruit pickers out there). See Marx's and Engels' The German Ideology for a classic exposition of this materialist position. I find this position highly convincing, and therefore I need to make clear that this Gita message about the power of self-discipline should be applied solely to personal growth, and not warped into an argument that claims those who are in poverty are there because they lack self-discipline. This is a conservative distortion of The Gita's message that destroys its meaning, and turns it into a tool to distract us from the problems caused by capitalism. This warped message blames the poor for their poverty, rather than addressing the systemic causes of poverty. The Gita's message is certainly not "the poor are only poor because of their own choices". 

Ok back to self-discipline. Lets picture a classroom metaphor. If a teacher is a disciplinarian, the students may crave the freedom of having no rules. But abolishing all rules and discipline creates not freedom but chaos. Imagine a classroom that lacks all discipline. Some students ransack the classroom, others casually chat, others attempt to teach themselves something, and others simply leave. The majority of the students will not learn anything nor gain any wisdom from the experience. It seems that when everyone just does whatever he or she wishes to do, the classroom stops being a classroom and becomes something else (a hang-out spot, perhaps). In the end all the students will just wander away from the school, leaving only an empty building. The school is thereby rendered useless. It has failed to fulfill its purpose, and the students who expected to gain knowledge there only wasted their time. Chaos, not freedom, was created in that place.

Imagine that your mind itself is the school. Do you want this kind of chaos (this kind of “freedom”) in your mind? Is this the proper way to cultivate skills and learn long-term lessons? In this metaphor you are the teacher and also the student. You must possess the discipline to teach yourself, to practice, to stay focused, to learn lessons, to grow. When one does not possess the control to do these things, no skills are gained, and our base desires rule us while we live in ignorance. When one exerts discipline over oneself, specifically when aimed toward perfecting a skill or craft, and when we combine it with a certain detachment from the consequences of the good work we do, the results are a kind of freedom that can only come with mastery, can only come with detachment from the opinions of others. It is the freedom to create, to innovate, to improvise, to push boundaries, to rise to ever higher levels. Picture a performer who appears to play piano effortlessly, but that “lack of effort” is actually the result of years of diligent practice, and a mind that is willing to work hard.

Also picture the struggling student who keeps at it, despite the obstacles in her path. Sometimes a voice in her head tells her that she will never achieve her goals, that she will never be good enough. She must let that voice off at the nearest dock, and sail away down the river. She is already good enough today, as she was yesterday and will be tomorrow. Whether she does achieve her goal, or whether she changes it completely, she is good enough. We are free to climb as high as we wish, but there’s no requirement we climb to the top. Whether we wish to doggedly pursue a long-held goal, or set new goals and disregard old ones, the world is our oyster. So do not judge or berate yourself, nor let the imaginary viewpoints of others scare you from pursing happiness. Let your ego off at the next dock, and sail away. Then go work hard at something, anything, and joy will come.

It is so easy in our modern world to let the chaos take over, to jump from one task to another, to let ourselves be constantly distracted by texts, emails, videos, Tiktok, and so much else. To cultivate a skill, you must possess the discipline to shut those distractions out, and set your mind on a single track for a nice stretch of time, to sink slowly into practice, and explore/probe/investigate one single topic, even as the whole wide world tries endlessly to crash down the doors of your concentration and destroy your focus. You are the gatekeeper to your own mind, you are the teacher of your mind’s classroom, you are the master of your own focus.

All things of quality require time and discipline and hard work. This is true of art, it’s true for those who seek knowledge, it’s true of fidelity and maintaining open communication in a marriage, it’s true of cultivating a skill or talent, it’s true of building strong friendships, it’s true of raising children, and it’s true in business.

Ideally, I strive to make my life and my art and my relationships the best that they can be, and all of this takes much practice. Of course simple repetition is not “practice”. To practice, one must reflect on one’s actions and adapt one’s technique over time in order to overcome barriers and gain new skills, and stick to the cause of self-improvement even when it becomes challenging to forge ahead. One must be present and engaged, not zoned out (the difference between practicing piano versus simply noodling, or the difference between being truly present with one’s children versus staring at the iphone while the children play at one’s feet). Being present takes focus and energy; life moves quickly and it’s easy to just coast or tune-out or “get through it” without reflection, especially when one has children and work and so many other things to juggle. So many times my wife Erica and I have commented how we feel sometimes like we have become parenting robots, delivering love and care to the children but completely hollow inside. This is not healthy or ideal. Striving to be the best I can possibly be (as a parent, etc.) is a daily challenge, and I easily get burned out.

Therefore, don’t overdo it with self-discipline. A lack of discipline may create less freedom, but that does not mean too much discipline creates maximum freedom. Go easy on yourself when you’re feeling burned out. A burned out parent should go (if she can) away from the children and grab some time for him/herself. Even a few hours can make a big difference. This is also true of practicing piano or any other skill. Take breaks, but stay conscious of the goal and always return to it when you are ready. Remember: rest is just as important as discipline, and in fact it may require some discipline to make yourself rest. The body and mind must recharge if you plan to stay healthy in this challenging and difficult world. Therefore making time for rest is in itself a form of personal growth.

So stay disciplined and focus on personal growth, and strive to do your best in all things, and to do good. But do not concern yourself with what happens once you complete a task and send it out into the world. Don’t let your pride hinge on the praise/condemnation you receive from your loved ones and contacts. When life becomes difficult and times get tough, just do your very best; that’s all anyone could ever ask of you. Aim your arrow as well as you can and let it fly, then focus on the next arrow, content that each time you fired you aimed it as well as you could. And if you do watch the arrows fall, it is only to gather data so you can make your next shot even better.

Milena

“Milena” from Jackdaw

“I see you more clearly, the movements of your body, your hands, so quick, so resolute, it’s almost like a meeting; even so, when I then want to raise my eyes to your face, in the middle of the letter… fire breaks out and I see nothing but fire.”

Franz Kafka in a letter to Milena Jesenska

Franz Kafka began writing letters to Milena Jesenska when he was on holiday recovering from Tuberculosis in 1920. It began as a business correspondence; she was a translator of his short stories, and in addition to that, a married woman living in far away Vienna. However what began as a professional relationship soon warped into an obsessive kind of long-distance romance. The letters from Kafka are infused with desperate passion and lust, a sleepless, jagged, stream of consciousness urgency to every sentence he wrote. He wanted to worship her, to kiss her feet. He wanted to hold her from all sides, to steal her in the night and make love to her in the dark forests outside Vienna. He was guilt-ridden and embarrassed one moment, triumphantly confident of his love for her the next moment. He wanted her to take away his pain and disease, to see him for who he was and accept him, to want him. His love was insistent and oppressive and private.

Of course, this affair was doomed. She was a married woman living far away. Kafka was dying and desperate for love. Over the course of their entire affair, they only met in person twice. So really, the letters weren’t just a part of their relationship; the letters were their relationship. Kafka clearly obsessed over every word she wrote. He poured his very soul onto every page. He kindled the flame for as long as he could, but eventually he couldn’t stop Milena from breaking off the affair.

Milena preserved Kafka’s letters, and understood him as a genius. When Kafka died she wrote a loving obituary in the Vienna press, and promoted his works. Later, when the Nazis came, she joined the resistance and helped many Jews escape Austria, though the work was dangerous and she was not Jewish. Eventually the Nazis arrested Milena for consorting with Jews, and sent her to Ravensbruck Concentration Camp where she died in 1944.


“By the way, why am I a human being, with all the torments this extremely vague and horribly responsible condition entails? Why am I not, for example, the happy wardrobe in your room, which has you in full view whenever you’re sitting in your chair or at your desk or when you’re lying down or sleeping… Why am I not that?”

Franz Kafka in a letter to Milena Jesenska

“Yesterday I dreamt about you. I hardly remember the de­tails, just that we kept on merging into one another, I was you, you were me. Finally you somehow caught fire; I remembered that fire can be smothered with cloth, took an old coat and beat you with it. But then the metamorphoses resumed and went so far that you were no longer even there; instead I was the one on fire and I was also the one who was beating the fire with the coat. The beating didn’t help, however, and only confirmed my old fear that things like that can’t hurt a fire. Meanwhile the firemen had arrived and you were somehow saved after all. But you were different than before, ghostlike, drawn against the dark with chalk, and you fell lifeless into my arms, or perhaps you merely fainted with joy at being saved. But here the transmutability came into play: maybe I was the one falling into someone’s arms.”

Franz Kafka in a letter to Milena Jesenska

“I must confess I once envied someone very much because he was loved, well cared-for, guarded by reason and strength, and because he lay peacefully under flowers. I’m always quick to envy.”

Franz Kafka in a letter to Milena Jesenska

“His knowledge of the world was extraordinary and deep; he was himself an extraordinary and deep world.”

Milena Jesenska writing about Kafka in his obituary

Piano Sonata No. 2 (Complete)

1. Lovejail Read about this movement here.
2. Looking for a Sunset Bird in Winter Read about this movement here.
3. Gavotte Read about this movement here.
4. A Joyful Adventure Read about this movement here.

Today I completed a new piano sonata. What a relief to be finished. I can’t believe it’s over. I feel that I’ve completed something epic. I’ve climbed a mountain.

I started this music in Spring of 2016, during a difficult time in my life, and continued working on it until today, February 20, 2020. In fact, a good chunk of the second movement was written back in 2008, as a completely different piece which has now been dismantled. So this music’s been with me a while.

This music guided me through many life experiences, and was in turn inspired by those life experiences. As a result the sonata takes the listener on a real journey through my wants and hopes and dreams and emotions. It’s a tour of my psyche.

As I’ve noted in other posts about this sonata, this music is riddled with hope. It’s everywhere you turn in this sonata. It’s the main theme of the whole damn piece. Turns out my psyche must have a lot of hope in it.

Oh there’s other themes too: love and healing and time and growth. They all wind around each other, they are all intertwined.

This sonata is also really dang long. I started to say something, then had more to say, then more and more and more. The story takes its time to unfold. If you listen to this whole piece, you will drink deeply from my well of creativity.

I hope this music inspires and touches you.

Who Am I Stealing From Today? (Makoto Ozone)

Today’s big winner is….. Makoto Ozone!

Have a listen to some music I finished today:

“A Joyful Adventure” from Piano Sonata #2

It’s called “A Joyful Adventure.” I wrote it after listening to this enlightened set of variations by Makoto Ozone:

This is Yoshi, a Japanese pianist, performing Ozone’s funky arrangement of Chopin’s Waltz no.7. What Ozone did to this waltz was brilliant, such a lovely mix of jazz with romantic.

Ozone’s treatment of Chopin put me in a jazzy mood, and helped free my mind from the rut of writer’s block that creeps up on me from time to time. After listening to this a number of times, I felt very creative. I wanted to play around with these jazzy colors, so I wrote the music above as an homage to Ozone. And by homage, I mean I totally stole his mojo.

Play the video starting at 3:17, and you will hear the rhythm I lifted from Ozone. I wanted to take that exact soundscape and make it my own, to write something as tasty as possible.

Of course, once I started down that road my project quickly morphed into something new, something that doesn’t feel like stealing at all. The music packs its own flavor of punch. It’s got something new to say.

By the way, I was also listening to some Gershwin while writing this music, and wouldn’t you know it, some of his mojo got sponged up into my music as well.

Who will I steal from tomorrow?… Only time will tell.

By the way, this music is based very loosely on Mazurek Dobrowskiego, the Polish national anthem. It is also the final section of my 2nd piano sonata, which you can listen to in its entirety here.

Lovejail

“Lovejail” from Piano Sonata No. 2

When life becomes intense, I tend to stop writing music for a time. This is usually due to a simple lack of time. When a child is newly born, or a business newly started, there is little free time to compose music. However these intense times also plant the seeds for the ripest artistic fruit. Momentous occasions, personal tragedies or triumphs, and major life changes generate emotions that (for me) can only fully be expressed through art. So usually during these crazy times, I am full of artistic energy but have no time to actually put it somewhere.

This music was written when life was crazy. Not sure how I found the time to compose this, but thank god I did. I remember composing a note here and there between teaching classes. In my life, everything was falling apart. I won’t go into the details other than to say that shit had hit the fan. The music I think is still optimistic in its own way. I am an optimist at heart myself. What am I supposed to do, write the saddest music you ever heard? I’m not some tortured Romantic weeping into the piano. I prefer music with a bit of a lift, what can I say?

Love themes pop up all over the place in this music. They poke their heads around corners and say hello, sometimes flirtatiously, sometimes with more serious undertones. Then after they say what they came to say, they flit away again. This whole sonata has that quality as well, and it’s something I really love about this music. I love love themes, especially when they aren’t overly gooey, but more sincere, more complex.

This music is in sonata form. It’s got a lot of Beethoven-inspired content in there, with some country-western overtones. I really like the return of the main theme (starting at 7:57) all the way to the end. This is some of my strongest writing in the more strictly classical vein. There is a touch of modern dissonance in there, but this is truly a classical work.

…at times a bit too classical-sounding? Hard to say. I expressed much that I wished to express with this music, but also something was holding me back I think. I clung tightly to the old forms and styles. My own voice emerges plenty of times throughout the piece, but I don’t feel like I am always my authentic self in every corner of the music. Even if the music sounds like it’s made of 100 different ideas, good old sonata form is right there through the whole piece. Beethoven hovers over my shoulder, raising an eyebrow at every jazzy dissonance.

Ok so the ghost of Beethoven has haunted me for years, and I still haven’t found a way to put him down, to unspool him from my music. But I would ask: how can a house be expected to unbolt itself from its very foundation and just walk away?

So Beethoven remains, and the music is more structured for it. I could go back and try to shoe horn more stylistic originality into the music, but I am going to cut my losses and write the next thing instead. This is still me trying to figure out how to write a sonata, and what I want MY sonatas to actually sound like. Everyone has to have student work. Or perhaps all work is student work, if we never stop learning.

When it all clicks…

A while back, before Charlie was born, back when I first started this website, I was working on some variations on Poland’s national anthem. This started as a challenge from Polish pianist Joanna Różewska to do something with Polish folk music.

I worked diligently on it for a while, but got too in my own head about it. I couldn’t figure out what direction to take the music. Should it be variations? Also do I have any kind of connection to this music, to Poland? What am I trying to say with this?

I wrote the main body of the first variation, and never got further than that. After chasing my own tail for a while, I put this project down and walked away, thinking wrongly that what I had written so far wasn’t all that good. What also happened around that time was I quit teaching, went to Rome with Erica and Jack for a month, then came back and started a totally new career. I wasn’t writing much music during that crazy time…. When I finally came back to composing a few months later, I was rediscovering the magic of writing Quiquern, which became my musical obsession going forward. The Poland music was suspended indefinitely.

Over the next year or so I began to spin out the plan for my second sonata. I wanted the sonata to end with a redemptive quality, with a strong overtone of love and hope. As I’ve said before, so much of my music reaches for this same sentiment. Maybe I’ve just got love and hope on the brain.

What better way to express that sentiment than with the idea that something that once seemed lost may yet still be recoverable. The title “Not Yet Lost” stood out in my mind as the right way to express these feelings. Suddenly the Polish music had a meaning I could relate to, something I would enjoy exploring and playing around with. Though I am no Polish patriot, and the the nationalistic thrust behind the Polish anthem has no historical significance to me personally, the sentiment behind the music suddenly struck a chord inside me. It clicked! I dove back into the music and started sketching out ideas.

This is hard to describe in words: I wanted to take the hope contained in Mazurek Dąbrowskiego, and create variations on that. In other words, the variations are not so much variations on the musical theme (melody) itself, but instead on the theme of the music: the idea that something that seems lost is actually not yet lost, a hope for the future, a hope that we can build something worth building. That’s what Mazurek Dąbrowskiego expresses, and that’s why I chose it, not because of the melody. I took the melody in the theme and dismantled it, and sprinkled the component parts throughout my variations, but the variations don’t sound like the theme. But they do express love, hope, excitement, eagerness, etc. That’s the reason why, in the end, I call them “reinventions” instead of variations.

Here is the main theme:

From the get-go this music establishes a gentle, gliding, loving vibe. Though the original lyrics to Mazurek Dąbrowskiego are all about marching off to victory, I’ve dropped all of that militarism and allowed the simple clarity of the melody to linger in the air for a minute. I’ve also dropped the original 3/4 time. This meter switch has deprived it of any recognizable Mazurka sound, and instead given the tune a more spacious 4/4 runway.

The first reinvention goes like this:

This reinvention was largely already completed from my work on this piece over a year ago. I went back in and tightened up the form, took all the puzzle pieces I had struggled to connect and re-sculpted them so they fit together just fine. Turns out the puzzle pieces were all made of clay anyhow.

I originally thought that first reinvention sounded like Nordstrom’s piano noodling, but now I don’t think so anymore. Now I just hear a love theme. If the original theme is a reserved and sweet little love, this first variation is more of a gushy, open-armed love. This music is plush and at times unabashed in its amorous sentimentality. That suits me well for my current frame of mind.

The second reinvention goes like this:

This one was largely influenced by Bach, specifically this Gavotte from English Suite #3:

I heard that little nugget on the radio a few weeks ago and couldn’t get it out of my head. I wanted to create something of my own with that same snappy Gavotte feeling. I also wanted to make sure that this music had something to say about love. This love music is at times brooding and stormy, other times playful and jolly, and sometimes it’s reaching for something inspirational. It fits in with the other music, even if it sounds unique. I’d also like to note that the jolly bits have a certain dance-like quality, which stems from the Gavotte that originally inspired it.

Took me about two weeks to write that 2nd reinvention, though I should note that the only time I really get to work on any of this stuff is like 10pm to 11pm. So two weeks is pretty decent turn-around time for me.

As you listen, you’ll hear fragments of the Polish melody shining through, though it gets warped by the motion of the music around it. I do not take a vert strict view of Theme and Variations. I don’t want to write a set of ten perfect little variations, the way Mozart did for example:

That’s too clean for my taste. And dare I say it, maybe even a bit boring by the time the 5th or 6th variation rolls in. My variations are much more difficult to put into clean little boxes. Instead they wander and play and do pretty much whatever I want them to do. They do not conform to the original structure of the initial theme. Of course this means I have to be careful to make sure the source material still comes through to the listener and not just the musicologist. This is a tricky tightrope to walk.

That initial Polish theme, in my opinion, is too simple for straight variations. It has wonderful expressive potential, especially for writing inspirational, loving, or even glorious music, music that reaches for a higher ideal. But if I stick to that initial structure for 10 variations, I’d get bored….

I don’t think I’ll write 10 reinventions or variations or whatever any ways. Maybe I’ll just do 3 or 4, not sure yet. It’s not about coming up with as many variations as I can. It’s about crafting a larger piece of music, with a grander story arc that takes the listener where I want them to go. In other words, this form is a vehicle to express my overall point: that hope and love are not lost, that something which at one point might have seemed unreachable can in fact be reached. I think for that reason, each variation will reach for something. This music will be riddled with hope and grand gestures, bold statements.

That’s not to say the theme isn’t in there. This entire variation is built out of the theme. Just look at the first melody line:

Those notes are the same notes as the main melody of the Polish tune, though now woven into a quicker kind of Baroque-y thing that is also minor. But even if it is hard to pick out that original melody by ear, the structure is right there on paper. I like variations like this. I want to write a Bach-inspired romp with a few metal-esque riffs in there, music that makes you want to hear it again, makes you think. It can sound new but still have deep roots to the past. It’s a fun challenge. Above all else, I want this music to say what I need it to say, even if that means I have to cast aside any sort of intense loyalty to the original melody. This is my art, so I control the form.

When all is said and done, I’m writing far too much music to squeeze into one sonata. I’ll probably have to “cull the herd” a bit, and only keep the music that truly speaks the way I need it to speak. A lot of this other material will end up in the rubbish heap (“bonus tracks”).

Now onto the next reinvention!

Looking for a Sunset Bird in Winter

Part One

Part Two

Part Three

This music was performed by Edward Cohen.


Today I finished writing the second movement of my second sonata.

I worked on this for some time, trying to express something I can’t quite put into words. About times that were hard, when I found my self searching fruitlessly for a summer bird during the dead of winter.

All the main melodies throughout this piece started as song. 

You know how it goes when you have a lot to say… too much to say. You try to squeeze too much meat into the sausage and it starts to look a bit unseemly. The feelings and hopes I wanted to express in the music could never fit into one song.

So I exploded the music and let it wander and quest for 20 minutes. It still feels like a song to me.. but now it spins and wrangles and waits and wants, and pulls you along and along like a river.

This is music about healing. Healing is not pleasant when it’s actually happening. Sure it feels great once it’s done, but the process itself is slow. It requires intense patience, and often comes with pain. So this music isn’t about being healed, but about healing.

This music is about waiting, about not giving up, about continuing to strive for optimism even when prospects remain dreary. The length of the music allows it to take on a new character: it stretches out before you, unabashedly long, extending into the distance, as if we are standing on a hill top on a cold, crisp day, looking out over endless miles of fields, trying to make out a little puff of smoke in the distance. Is it a cloud, or perhaps chimney smoke?

We start to get a sense of the power of time. Each little musical episode represents a day, a unique moment in one’s life. Day after day after day passes. There are beautiful moments and challenging ones, but they all pass eventually, and soon become part of a larger tapestry, where common themes emerge.

Life is like this as well. As we deal with each day’s unique challenges and surprises, it can be difficult to see the common threads that tie our lives together. However as the years stack up, those common themes become steel cables that tether us to our loved ones, and to our shared histories. The daily episodes fade in terms of importance in comparison to the mountainous weight of the passing years. In the end these main themes, these shared memories, these bonds become everything that matters to us. They become the vision we have created of ourselves and what we believe in: who we are, what we have stood for, what it means to be a family, what it means to love, what we feel we have accomplished, what we hope to pass on to our children, what we wish to be remembered for.

So in a way this is a song about life and about building a life with someone. It isn’t a clean story arc (neither is life). At times the music swells, other times it falls. But most times, like life, it just goes by, stacking up over time, adding on more and more experiences, until by the end you’ve lost track of some of it. The whole thing blurs together, with certain important moments standing out.

And there through it all are the main themes, the bonds that tie us all together, growing stronger with each passing moment.

Romance

“Romance” from Violin Sonata No. 1

What can I say about love? It never turns out quite the way we expect. Then again neither does life. The years stack up, and the weight of all that time compacts our experiences, until we are forged into something new, like metamorphic rock. A good marriage has the same effect. As the years pile up, any cracks that once existed between us are compressed, our minds and outlooks are reformed, until after a while we have been reshaped, remade together.

This music chases love, chases life. It races ahead, keeps the fire lit. It’s hunting, sniffing something out, hungrily searching through the night. The years fly by, but the fire stays lit. It’s a dance, a celebration, though a frenetic one.

While you listen, stomp your foot! How about one loud clap! Why the hell not!

I have a limited vocabulary for describing how it feels to experience love, real love, so I have to compose instead, to try and capture the uncapturable. This music gives just a taste of that. Love has many flavors, and this is one flavor I’ve tasted, and I want to share the feeling with the world. It may not always be pretty, but it tries hard to live passionately, to expresses itself freely, to communicate something meaningful. It doesn’t give up, even when challenges arise. It reaches out to feel a connection. It aches for it.

I have experienced this love. In fact, I experienced it today, while watching my wife walk across the room. Sometimes my heart starts pounding for no reason, and this music appears inside my brain. Makes me want to spin around and around, until everything is blurry. The life we have built, the family we created, the years and shared experiences and adventures are all stacking up before me, until all I can do is marvel at the structure.

Keep living! Keep love in your heart, and share it with someone whenever possible. Stomp and dance and spin. And also, lay silently on your bed in the afternoon with the person you love, and watch the sun’s rays poke through the blinds. Compare the sizes of your feet, tell a silly story, share what’s in your heart. Grow together, always growing.